Shanmukhananda Annual Music Competition - Hindustani Tabla Group I
by Sri Shanmukhananda Fine Arts and Sangeetha Sabha
Endowment prizes at Mumbai music competition
Annual Hindustani Tabla competition by Sri Shanmukhananda Sabha, Mumbai, for student percussionists aged 10 to 15 performing prescribed Talas before an expert jury.
Mode
In-Person
Fee
₹200
Participation format
Individual
Duration
Single performance round of up to 15 to 20 minutes per competitor
Time needed
One performance of up to 20 minutes
Eligibility
Open to all genders aged 10 to 15 years in Group I. Participants must submit proof of age with the entry form. Previous first prize winners in Group I are not eligible to re-enter the same group. Artistes listed on All India Radio or Doordarshan are also not permitted to participate. In-person attendance in Mumbai is mandatory.
- Age range
- 10 to 15 years
- Eligibility region
- Available nationwide across India
- Prerequisites
- Working knowledge of Hindustani Tabla and prescribed Talas
- Ability to present the prescribed repertoire for Group I
- Competitors must arrange their own Tabla and Shruti accompaniment
See if your child qualifies.
Rewards and recognition
Prizes
Endowment prizes for Tabla performers
Endowment and memorial prizes instituted by leading Carnatic and Hindustani patrons and gurus are awarded across categories. Special Best Junior Vocalist titles recognise top Group I performers in the wider competition.
Certificate
Shanmukhananda Sabha Certificate
Participating competitors receive certificates from Sri Shanmukhananda Fine Arts and Sangeetha Sabha.
Skills your child builds
How to apply
- 1Collect the entry form from the Sri Shanmukhananda Bharatiya Sangeetha Vidyalaya office during the announced registration window.
- 2Submit the completed entry form with proof of age and the non-refundable entrance fee per competition.
- 3Report at the venue on the scheduled performance day to present the prescribed Tabla repertoire before the judges.
Rules and guidelines
- Performance duration is decided by the judges and does not exceed 15 to 20 minutes per competitor.
- Competitors must bring their own Tabla and arrange Shruti accompaniment.
- First prize winners in Group I in a previous year cannot re-enter the same group.
- Artistes listed with All India Radio or Doordarshan are not permitted to participate.
- Where fewer than three entries are received, the prize is awarded only if the contestant scores at least 70 percent.
- The decision of the judges is final and binding.
Fees and financial support
Fee details
A non-refundable entrance fee of ₹200 per competition is payable in cash, NEFT, or UPI along with the entry form.
Refund policy
The entrance fee is non-refundable.
About this opportunity
The Shanmukhananda Annual Music Competition - Hindustani Tabla is a prestigious classical percussion contest held annually by Sri Shanmukhananda Fine Arts and Sangeetha Sabha in Mumbai. This competition provides a significant platform for young tabla players to showcase their talent and compete at a national level, fostering a deeper appreciation for Indian classical music.
This specific sub-competition is for participants aged 10 to 15 years, categorized under Group I. Competitors present a prescribed Hindustani repertoire of Talas and compositions to a panel of expert judges. Successful participants receive endowment prizes and national recognition, enhancing their musical journey and performance skills.
Rounds and format
Single live performance round before the judges, where each competitor presents the prescribed Tabla repertoire within the time decided by the panel, not exceeding 15 to 20 minutes.
How entries are judged
Judging is done by a panel nominated by the Sabha; the decision of the judges is final. Performances are evaluated on rhythmic accuracy, command over the prescribed Talas, technique and presentation.
Selection process
Direct selection based on the live performance before the judges. Where fewer than three entries are received in a competition, the prize is awarded only if the contestant scores at least 70 percent.
Academic details
Difficulty: Mixed Levels
What's covered
Solo Hindustani Tabla performance covering prescribed Talas, theka, kayda, peshkar and tihai patterns within the time allotted by the judges.
Frequently asked questions
How can participants manage performance anxiety effectively during the competition?
Participants can manage performance anxiety by practicing mindfulness techniques, engaging in regular mock performances, and focusing on their preparation rather than the outcome. Adequate rest and a healthy diet also contribute to better stage presence.
What are common mistakes participants make during classical music competitions and how can they be avoided?
Common mistakes include inadequate preparation of prescribed repertoire, poor time management during performance, and neglecting the importance of accompaniment. Avoiding these requires meticulous practice, adherence to time limits, and coordinating effectively with accompanists.
How does participation in this competition contribute to a student's long-term musical development?
Participating in this competition offers invaluable stage experience, exposure to expert feedback, and the opportunity to benchmark skills against peers. This fosters discipline, refines performance techniques, and builds confidence crucial for a sustained musical journey.
What factors do judges typically prioritize when evaluating Hindustani Tabla performances?
Judges typically prioritize rhythmic accuracy, clarity of Bols (strokes), command over prescribed Talas, technical proficiency, and overall presentation. Originality in improvisation within traditional frameworks is also highly valued.
Are there specific preparation strategies recommended for mastering the prescribed Talas for Group I?
For Group I, mastering prescribed Talas involves consistent practice of basic Bols, understanding the structure of each Tala, and practicing various compositions within them. Listening to seasoned artists and seeking guidance from gurus can also be highly beneficial.
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